Ruby Vroom - Lyrics
All lyrics received directly from the band and are by M. Doughty unless otherwise noted. Publishedby Our Pal Dolores/WB unless otherwise noted
IS CHICAGO, IS NOT CHICAGO
A man
drives a plane
into the
Chrysler building
Saskatoon is in the room
Poulsbo is in the room
Bennetsville is in the room
Palmyra is in the room
Is Chicago!
Is not Chicago!
Is Chicago!
Is not Chicago!
A man
cuts in half
just like he
snaps a pencil
Khartoum is in the room
Phnom Penh is in the room
Pyongyang is in the room
Cairo is in the room
Is Chicago!
Is not Chicago!
Is Chicago!
Is not Chicago
SUGAR FREE JAZZ
Normalize the signal and you're banging on freon
paleolithic eon
put the fake goatee on
and it booms as cool as
sugar free jazz
Schools he bombs, he bombs
Stack wax lie like a placemat
won't lap
or help you at the automat
and it's clear and clean as
sugar free jazz
Schools he bombs, he bombs
Fossilize apostle and I comb it with a rake
you can't escape
you pull out the brake
and it booms as cool as
sugar free jazz
CASIOTONE NATION
The five percent nation of ________.
(repeat X 12)
5, 10. 15, 20, 25, 30, 35, 40, 45, 50, 55, 60, 65, 70, 75, 80, 85, 90, 95, 100
The people's republic of ________.
(repeat X 12)
BLUE EYED DEVIL
Blue eyed devil.
Blue eyed devil.
Born to be a God among Salesmen.
Working the skinny tie.
Slugging down fruit juice.
Extra tall extra wide.
33 degrees
Six hundred and sixty six
Dig digging it, come on.
Moving door to door to door.
Stoned motel room.
Nice cool on the bathroom floor.
King of Siam
Get the trouble frying.
Spoon to the lighter to the lighter to the gun
Devil lapsed out in a pool of sun
BUS TO BEELZEBUB
Get on to the bus
That's gonna take you back to Beelzebub
Get on to the bus
That's gonna make you stop going rub a dub
Your words burn the air
Like the names of candy bars
Your mouth is cold and red
All in rings around your
Laugh laughing laughs
It's a grind grind
It's a grind
It's a grind grind
I'll scratch you raw
L'etat c'est moi
I drink the drink
And I'm wall to wall
I absorb trust like a love rhombus
I feel I must elucidate
I ate the chump with guile
Quadrilateral I was
Now I warp like a smile
Yellow no. 5
Yellow no. 5, 5, 5
Voulez-vous the bus?
TRUE DREAMS OF WICHITA
Signal got lost to the satellite
Got lost in the
Rideup to the
Plungedown;
Man sends the ray of the electric light
Sends the impulse
Through the air
Down to home
And you can stand
On the arms
Of the Williamsburg Bridge
Crying
Hey man, well this is Babylon
And you can fire out on a bus
To the outside world
Down to Louisiana
You can take her with you
I've seen the
Rains of the real world
Come forward on the plain
I've seen the Kansas of your sweet little myth
You've never seen it, no,
I'm half sick on the drinks you mixed
Through your
True dreams
Of Wichita
Brooklyn like a sea in the asphalt stalks
Push out dead air from a parking garage
Where you stand with the keys and your cool hat of silence
Where you grip her love like a driver's liscense
I've seen you
Fire up the gas in the engine valves
I've seen your hand turn saintly on the radio dial
I've seen the airwaves
Pull your eyes towards heaven
Outside Topeka in the phone lines
Her good teeth smile was winding down
Engine sputters ghosts out of gasoline fumes
They say You had it, but you sold it
You didn't want it, no
I'm half drunk on static you transmit
Through your
True dreams
Of Wichita
(freestyle verse)
Punch it
I got, uh, fed
I got, uh, too much things on bounce, uh, my head
I got to burn 'em up
I got to burn 'em up now
I got to go uptown, uptown
I got a thing
I got a little bit pushed
got to stand on the corner and bellow for mush
I got a bomb
I got a baby bomb bomb
got to stand on the corner and bellow for my friend Tom
I got a thing, I got to thing it
I got to thing--team
I got to run my side
true dreams
SCREENWRITER'S BLUES
Exits to freeways
wisted like knots on
the fingers
jewels cleaving
skin between
breasts.
Your Cadillac breathes
four hundred horses
over blue lines
you are going
to Reseda
to make love
to a model
from Ohio
whose real name
you don't
know
you spin
like the cadillac was
overturning down a
cliff on television
and the radio is on
and the radioman is speaking
and the radioman says
women were a curse
so men built Paramount
studios
and men built Columbia
studios
and men built
Los Angeles
it is 5 am
and you are listening
to Los Angeles
And the radioman says
it is a beautiful night out there!
And the radioman says
Rock and Roll lives!
And the radioman says
it is a beautiful night out there
in Los Angeles
you live
in Los Angeles
and you are going to
Reseda; we are all
in some way or
another going to
Reseda someday
to die
and the radioman
laughs because
the radioman fucks
a model too
Gone savage
for teenagers with
automatic weapons and
boundless love
gone savage for
teenagers who are
aesthetically pleasing
in other words
fly
Los Angeles beckons
the teenagers
to come to her
on buses;
Los Angeles loves
love
it is 5 am
and you are listening
to Los Angeles
I am going to
Los Angeles
to built a screenplay about
lovers who
murder each
other
I am going to
Los Angeles
to see my own
name on a
screen, five feet
long and luminous
as the radioman says
it is 5 am
and the sun has charred
the other side of
the world and come
back to us
and painted the smoke
over our heads
an imperial violet
it is 5 am
and you are listening
to Los Angeles.
You are listening.
You are listening.
You are listening.
You are listening.
MOON SAMMY
Moon Sammy walks. Across the floor. Below the floor. There is a wall.
Behind the wall. There is a chair. Moon Sammy knows. The chair is there.
But that's OK, that's OK, you can do that--if you're wound up, full of tension,
incoherent. Your mouth is buttered with lies; you ask why, but you could
call it enigmatic; all your thoughts about the chair are full of static.
Automatically your mind goes down the stairwell to the chair; your body
says Moon Sammy, can you come back?
Strum it.
Moon Sammy washes. In the sink. Below the sink. There is a drain. The drain
goes straight. Into the sea. The sink itself. Is porcelain.
Obsess yourself with causality. The information you hear is a loophole,
technicality. Behind every object is a mathematic; an obscure substance
infused with a kinetic force, energy, an obscure conscience shoots a gun at
the feet the world dances.
Babylon, mystery, mother of harlots, and all these abominations of the
earth, that sits on many waters, drunk with the blood of the martyrs of
Jesus.
And I wondered with great admiration.
SUPRA GENIUS
Something I can't comprehend
Something so complex and
Couched in its equation
So dense that light cannot escape from
In the dark your brain glows
And it goes
Way um way, way um way um
I know you're a supra genius
Will you shoot the blue earth down?
In the space station
Polishing the ray gun
You say correllation is not causation
CITY OF MOTORS
Three times dark, first in the mind.
Second on Java street, the dead car there.
The hood blown off with a BB gun.
Manuela said she saw the brakes fail.
Manuela said she saw the brakes fail.
An empty body but it still bled
Oil from the axle and it left a trail.
Ran down Java street and formed a pool.
Manuela saw the moon in there.
Manuela saw the moon in there.
I hear a rumbling.
I hear transmission grind.
I bear witness.
I have the clutch now.
Three times dark, third on the rooftops;
Man jumps between and grabs the rail.
Man pulls the door but the door is locked.
Man gouge the hinge and goes down the stairs.
Man gouge the hinge and goes down the stairs.
Dull bright morning and the tools are gone.
Detectives with flashlights in the elevator shaft.
Manuela tells detectives she saw him there.
Stuck in the hinge is a sliver of a fingernail.
Stuck in the hinge is a sliver of a fingernail.
Stack of tools in the Oldsmobile.
From the Motor City to the City of Dis.
They trace his travel by his credit card.
No sleep, smokes, and he's nauseous.
No sleep, smokes, and he's nauseous.
Flicks an ash like a wild loose comma.
Ash hits the oil around the pump.
Travels to the pump and the pump explodes.
Witness said he saw the car jump.
Witness said he saw the car jump.
UH, ZOOM ZIP
Zoom zip and uh wake up, uh zoom zip
My eye like a noisegate the number 8 frustrate and I roll to the floor fruit
to the fruit to the core of a spheroid embedded in my skull the round the
zero the symbol of null and void and well I toyed with the concept of
vitamin B-12 the synapse the synapse it feeds itself on a nutrient
contained in sunlight the blink the lid the fight to snap open
Moving up to the double M 2000 I eat up a decade like a flan your turn of
the century turn it up turn it up clock seconds to the hour go and cash the
millenium Um Um and it hums like a migraine to the brain in the time yet
remaining but uh ah melancholy nonsense and I crack nouns brotherfuck
the verb tense
Recombination, then Viacom, Safeway
DOWN TO THIS
You get the ankles
and I get the wrists.
You get the ankles
and I get the wrists.
You get the ankles
and I get the wrists.
You come down to this.
Nerves are up
and the eyes all screwy
Blood like a panful
of boiling ratatouille
Hang from the axles of a box car
Follow the dotted line
Like a steer to Chicago
to the hooks of the Chicago man
I get all tripped up
my eyes turn to water
rug burns from a shag rug
struck dumb in the presence
polyester burns from a jacket
rub the skin thin
break down in a diner
then I pay the bill
cashier toothpick stuck in the ground
tiny lawnmower to mow me down
I could get lost in a lunchbox
lie low in the mittens in the lost and found
MR. BITTERNESS
There is a bar they call The Bitter Sea.
And she sits and drinks a velvet crush--that's
Kool Aid and gin--casing the clientele
Like a relentless cameraman. She is
Elsewhere. She says You keep a-knocking
But you can't come in, and I say
Little Sister, don't you do what your Big Sister does
Spiral down down down down down down down
Well desire looks just like you with an uzi nine
Gundown fifteen bystanders in a roadside driveby
Desire is the grassfire drinking gasoline
And she says Open up your mouth, man, let me come inside
Spiral down down down down down down down
She cracked
Now they call me Mr. Bitterness
She snapped
Now they call me Mr. Bitterness
She's gone,
Gone gone
Aaah, leaning up against the wall
I will lash out dancing like a madman when you're gone
I will spit the blue flame and hurl my glass against the wall
And I will hear your name coming out from a boom box
I will hear your name called out from passing cars
Spiral down down down down down down down
She cracked...
JANINE
Janine, I drink you up
Janine, I drink you up
Janine, Janine, I sing
If you were the Baltic Sea and I were a cup, uh huh
Varick Street and I drove South
With my hands on the wheel and your taste in my mouth,
Janine
Jesus to my left, the Holland Tunnel on my right
Angels shine down from the traffic light,
Janine
I fell asleep by the blue light of Live at Five
And as I drifted off, I heard Al Roker say to me:
Dial one nine hundred
Four Jay Ay En Eye En Ee.
Slap myself to waking but now it's too late
Cause I spelled your name out on my licence plate,
Janine
IS CHICAGO, IS NOT CHICAGO
Once, tripping in the metropolitan capital of Illinois, I came up with this theory that everything outside my body was Chicago and all within was not. A nice simple way to look at the world. I would point at, like, a chair and say "Is Chicago," and then at my chest, and say, "Is not Chicago." This entertained me for a good twelve hours or so.
SUGAR FREE JAZZ
Utter nonsense, actually. The guitar lick on the "Schools he bombs, he bombs" part comes from this kid I went to school with named Matt Swift. He played it incessantly, and so it was dubbed "The Swift Lick."
CASIOTONE NATION
The five percent nation of fill-in-the-blank. Live, I fill in the blank with whatever comes into my head at the time. People will come up to me on the street and be like, "Yo, Doughty, the five percent nation of McNugget." Once I said thename of a girl I knew and was approached angrily by this other girl, "Hey you made her a five percent nation, when are you going to make me a five percent nation?"
BLUE EYED DEVIL
Scathing indictment of Hall and Oates? No, the story of a white junkie traveling salesman who overdoes in a motel bathroom. My deepest hope is that this will eventually be railed against on a Christian cable network--the "six hundred and sixty six" line revealing my hidden Iron Maiden influence. "Thirty three degrees" is a reference to the Masons--the highest rank in Masonry being the 33rd. I remember reading Malcolm X talking about Masons in his autobiography, andhim saying something to the effect of, "The devil has only 33 degrees of knowledge, Allah has 360." Pro-Islam or rampantSatanism? You make the call
BUS TOBEELZEBUB
Again, sounds nice, means nothing. But we are, in fact, practicing SatanistsGet on to the bus
TRUE DREAMS OFWICHITA
Boy, girl, etcetera. The open plain, yay.
SCREENWRITER'S BLUES
Kind of a weird hallucination about the hell of my imagined future life as a writer I once had.
MOON SAMMY
The actual real-life Moon Sammy is a security guard at NYU who wore a rent-a-cop uniform with a badge that read, "Moon Sammy." A bunch of unconnected quotes from the book of Revelations, Chapter 10, are thrown in at the end. Again, this theme of Satanism.
SUPRA GENIUS
Boy, girl, planet-destroying death ray, etc.
CITY OF MOTORS
An actual narrative! A girl is looking into a pool of oil in a gutter that's streaming from a wrecked car. She sees the reflection of the moon in the oil, and then the silhouette of a burglar over the moon as he jumps from one building to the other. The moral: don't smoke in gas stations.
UH, ZOOM ZIP
More fun words that mean nothing.
DOWN TO THIS
I had a job working at a club called The Knitting Factory as a doorperson. One night, zooted no doubt, I was selling tickets as another person checked names off the guest list, and I started chanting, "I got the tickets and you got the list!" much to the annoyance of my co-worker. Finding this not particularly songworthy, we tried out a couple of soundalikes in rehearsal, my favorite of which was "You get Jim Backus and I'll get Koresh." We finally settled on 'You get the ankles and I'll get the wrists,' and it evolved into (don't slap me) a song about throwing an externalized conception of oneself off a building. We still hear many happy misinterpretations of this one, the most common of which is "You get the eggrolls and I'll get the rice."
MR.BITTERNESS
Boy, girl, automatic weapons, fire, etc.
JANINE
I was walking over on lower Second Avenue with my guitar, and this drunken man walks up to me and goes, "Hey, excuse me, how do you get a white woman to love you?" Bright boy that I am, I answered, "Uh, try writing her a song." "You write her a song, you got a guitar," he answered indignantly. "Her name's Janine."